The Rheostatics have released eleven albums since 1987 — only one a major label release, which speaks to their independent spirit, tenacity and mutual, though not unchallenged, commitment. Inspired by such national treasures as the Group of Seven, Stompin’ Tom Connors, the divinatory — not divine — government of Mackenzie King, rolling prairies, Canada’s national game, les couriers du bois and more, the Rheos have plundered the Canadian mythos to become a kind of bedrock myth themselves.
In a millennial survey of Canadian music critics, the Rheostatics placed two albums – Melville and Whale Music – in the top ten Canadian records of all time, a feat duplicated only by the legendary Guess Who.
The Rheos’ live shows are legendary among fans and often exceed two hours. The band sometimes abandons the stage – and amplification – in favour of the dance floor for a short acoustic set, and everyone is encouraged to sing along. Other times, extended jams on old favourites open up new possibilities, and songs are reinterpreted with greater complexity – or satisfying simplicity.
For those who have yet to experience the Rheostatics, their first hearing may mystify until they settle into the aural receptiveness required to expect the unexpected. Those ‘in-the-know,’ know they know something special.
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